I left Alex Garland’s new film, “Civil War,” about an hour and a half ago. I felt overwhelmed by it. Saddened. But most of all, confused as to what the point of the movie was.
I think Garland made a wise choice not to focus on what caused the civil war, how the opposing sides came to be, and why they are fighting to begin with. It focuses the movie on the characters instead. We’re in an election year, and it’s shaping up to a Biden/Trump match again. A lot of people were disappointed that the movie wasn’t Democrats vs. Republicans or red vs. blue states. With the constant fear-mongering state of the media, it always seems like we’re on the verge of another American civil war. For example, Greg Abbott, the governor of Texas, defying a Supreme Court ruling in regards to policing of the border and being at odds with Joe Biden, was a dicey moment recently. People online were calling it the start of the Second American Civil War. But it fizzled out as people moved onto the next thing to worry about. The idea of Texas and California teaming up may seem ridiculous, but not entirely out of the realm of possibility.
Map of how the various states are divided up. Green represents the Western Forces. Red is the Florida Alliance. Yellow is the New People’s Army and Blue is the loyalist states.
This quote from Garland really hammers home the point for me, and I’m paraphrasing it here:
“States that are being oppressed by a fascist president are probably willing to set aside their own issues. If they do, what does that say about political polarization?
If two state governments, with a large economy, large populations, strong industry, and good agriculture, are dealing with the same tyrannical government, it’s extremely possible that they would team up, regardless of them being a blue or red state. Americans are not as divided as they seem, despite what the news media tells you. The main focus of this movie is about the journalists’ journey through a war-torn America, not about the politics of such an event. But this movie is still inherently political in my view. More on that later.
When I was watching the film, I was very reminded of Joseph Conrad’s novel, “Heart of Darkness,” and the infamous 1979 adaptation of the film, “Apocalypse Now.” I personally have a very strong dislike for Conrad’s novel, but its being a strong critique of Western imperialism was revolutionary for its time.
The journalists in the film, Lee, Smith, Joel, Jessie, and Sammy, very much mirror that of the journey of Captain Benjamin L. Willard in “Apocalypse Now.” The president in “Civil War” is very much like Kurtz in a sense, although far more cowardly, and he doesn’t have much screen time in the movie. The characters are seeking him out in a similar way. Not to kill him like Kurtz in HOD and AN, but he’s the main McGuffin the characters are after. They seek to interview him before he’s captured and killed by the Western Forces or to be there when they get him. The Vietnam War itself is not the main focus of the film, and this applies to “Civil War.” The ongoing civil conflict is a backdrop, and the various events, places, and people they see and interact with are part of the background, although it does play an important part in the film. This film is about journalists and the horrors they see and witness when covering foreign conflicts and the journey they go through to tell the truth. With the scene of the group arriving in a town acting like nothing has happened, very much reminded me of the scene in “AN” at the French Plantation. It’s denial and nostalgia and wanting to go back to the way things were before, despite how broken and horrible it was.
In a key scene in the film, in the beginning, we see Smith taking a photo of a man being lit on fire. This reminded me very much of the very infamous photo of the starving child (The Vulture and the Little Girl) in Sudan in 1993 that was taken by Kevin Carter. He later committed suicide over the backlash to the photo and for not doing anything to help the child. Smith faced a very similar crisis as she did not do anything to help the man and, as a result, suffers from PTSD. In various parts of the film, the frame takes on a certain colored tint, and various times throughout the movie, and the POV zooms out a bit. This indicates Smith is suffering from a PTSD episode in the moment. In the climax of the film where the WF are storming the White House, she suffers from a severe episode of it.
This, for me, is an example of the extreme stresses and horrors journalists routinely subject themselves to in war zones. In the case of the Vulture and the Little Girl and various moments throughout the film, the idea of journalists is that they are meant to be objective and not get involved in any way. The characters themselves are subjected to and in some cases, killed for trying to report the truth. In the face of so much human suffering and death, is it possible to be truly objective? When Jessie sees several bodies hanging in a car wash, she freezes up not sure what to do or to take a photo. When two of their colleagues are killed by Jessie Plemons’s character, they express extreme distress and emotion at the sight and are on the verge of being shot.
When I went to university to be a journalist, I was taught that the most important thing was to be objective. But I dismissed that out of hand, as logically, you can’t stand by and let someone suffer. I feel as if I have a moral obligation to help someone in distress. A scene that follows after the car wash scene, Jessie is extremely distraught at what she witnessed and for not doing something to help. Smith rightfully says she couldn’t have done anything and to not be stuck on what-ifs, as it would drive her crazy. This is hypocritical on Smith’s part because of the PTSD she suffers from and how she feels covering conflict in general. Any rational, sane human being would be extremely traumatized by covering war and violence in general. I go back to Kevin Carter with the Vulture and the Little Girl. Humans are naturally social creatures with morals, and it’s a built-in ability for us to want to help other people who are suffering. To deny that is human nature.
When Sammy, Smith, and Joel’s mentor is killed saving them from a militia, they become direct victims of suffering and violence themselves. In the face of losing a father figure like that, they finally allow themselves to experience human nature.
The true message of this movie, in my view, is about objectivity as a journalist in the horrors of facing war. How does one stay neutral and impassive to horrifying events? What is the cost for the human soul and mind? And when should one intervene to alleviate suffering? And most importantly, for fellow Americans wanting to go to war with their own countrymen, what is the reality behind that? What is the true human, social, spiritual, economic, political cost of such a thing? Be careful what you wish for.
And this is what I mean by the movie being inherently political. A Second American Civil War is not going to be like Jericho or some MAGA wet dream where Trump is proudly standing over the body of Joe Biden with an American flag and a bald eagle on his shoulder. It’s going to be a horrifying, scarring, and destructive conflict that touches everyone. It’s a romanticized idea, much as war
was viewed before World War I that it will be filled with glory and romance with a desire for exacting revenge on people for simply having a different point of view. War is not glamorous or romantic. It’s a horrifying, awful thing and one of the worst things a human could ever do to another human being. The thought of doing that to a fellow countryman is even more terrifying because you come from under the same flag.
The far right in the United States clamoring to restore the honor of the Confederate States of America or Democrats wishing for Republicans to disappear off the face of the Earth truly have no idea what the consequences of such an action would be. There’s no thought for what the aftermath and consequences of such an action would be. Jessie Plemons’s character best represents this for me. Humans would use it as an excuse to unleash their darkest impulses.
There’s so much more to unpack about this movie. I think the movie could represent the five stages of grief because of the various experiences the characters have. I highly recommend going in to watch this film without reading reviews and allowing yourself to form your own opinion on it as I did. A popular saying around this film is that there are a lot of bad takes around it and that people are completely misunderstanding it. But the film is open-ended in what it means, and it’s up to the viewer themselves to decide. I hope my writing here helps you understand.